5126 results

Workshops
2004
Angélique WILLKIE
Release Technique Int
Release Technique no extra tension needed The class, focussed on moving as organically in space as possible, can be loosely described as a combination of Limon and Release techniques. Relaxation exercises...
2004
Angélique WILLKIE
Voice & Movement o
Voice & Movement breath as the primary source of both movement and sound „Traditionally, music is an external support for the dance. I propose that through the voice, the "music" is created and performed b...
2004
Bruce YKANJI
HipHop Adv
Hip Hop Being a veteran of hip hop despite his young age – at the age of 11 he danced in his first group in Paris - Bruce Ykanji will teach the old and new school of hip hop. Part of that are p...
2004
Bruce YKANJI
HipHop Beg
Hip Hop Being a veteran of hip hop despite his young age – at the age of 11 he danced in his first group in Paris - Bruce Ykanji will teach the old and new school of hip hop. Part of that are p...
2004
David ZAMBRANO
Flying Low Int
Flying Low The technique developed by David focuses mainly on the dancer‘s relationship to the ground. Simple movement patterns involve breathing, speed, and the release of energy through the body i...
2004
David ZAMBRANO
Flying Low Adv
Flying Low The technique developed by David focuses mainly on the dancer‘s relationship to the ground. Simple movement patterns involve breathing, speed, and the release of energy through the body i...
2004
David ZAMBRANO
Improvisation for Performers Adv
Improvisation for Performers dancing with a flexible mind Improvisation on stage involves the use of conscious choices in order to create an environment in which to dance. Students will be encouraged...
2004
David ZAMBRANO
ADD Flying Low Adv
Flying Low The technique developed by David focuses mainly on the dancer‘s relationship to the ground. Simple movement patterns involve breathing, speed, and the release of energy through the body i...
2003
Joe ALEGADO
Modern Technique Adv
Modern Technique power and freedom of movement “How to bring together the important elements of dance – the passion and the discipline and fine tuning of the body? ... To dance, guided by an animal ins...
2003
Joe ALEGADO
Modern Technique
Modern Technique power and freedom of movement “How to bring together the important elements of dance – the passion and the discipline and fine tuning of the body? ... To dance, guided by an animal ins...
2003
Joe ALEGADO
Startup Modern Beg
Startup Modern a sensation of earth profoundly affecting our movement „All my teaching reflects a dedication to establishing our relationship to the earth ... to the animal in us. I want to transmit t...
2003
Joe ALEGADO
Modern Technique o
Modern Technique power and freedom of movement “How to bring together the important elements of dance – the passion and the discipline and fine tuning of the body? ... To dance, guided by an animal ins...
2003
Joe ALEGADO
Composition o
Composition to encounter the musical ideas “The composition will be the result of the gathering and shaping of the various phrases of movement developed throughout my technique classes the previous t...
2003
Alito ALESSI
DanceAbility o
DanceAbility explore the language of your own body „DanceAbility“ welcomes everyone of all different backgrounds to explore the language of their own bodies through creative movement, and learn how...
2003
Alito ALESSI
Body Work o
Bodywork maintenance for dancers, tools for practioners From his background in cranial-sacral therapy, soft chiropractics, polarity, deep tissue massage, martial arts, release work, and esoteric bodywork...
2003
Vanessa ANDRADA
Street Jazz Int
Street Jazz sure to appeal to folks of all ages and technical levels „This is not a class, this is an experience! Easy exercises will introduce you to the exciting world of contemporary jazz dance, f...
2003
Vanessa ANDRADA
West Coast Craze Int
West Coast Craze style and graze of the latest moves "West Coast Craze is a fun, intense and high energy hip hop class for b-girls and b-boys. With ease you will master the style and graze of the latest...
2003
Vanessa ANDRADA
West Coast Craze
West Coast Craze style and graze of the latest moves "West Coast Craze is a fun, intense and high energy hip hop class for b-girls and b-boys. With ease you will master the style and graze of the latest...
2003
Vanessa ANDRADA
Kid’z Groove - HipHop (12-15 J.)
Kid’z Groove - Hip Hop for the 12 to 15 years old a great introduction to the dance and music world „I will introduce, encourage, and motivate kids and teenagers to develop and refine dance ski...
2003
Vanessa ANDRADA
Street Jazz
Street Jazz sure to appeal to folks of all ages and technical levels „This is not a class, this is an experience! Easy exercises will introduce you to the exciting world of contemporary jazz dance, f...
2003
Geraldine ARMSTRONG
Free Style Jazz
Free Style Jazz ease our minds and tingle our soul „My conception is pretty simple giving me the possibility to take the dancers through different moods, different sensations, different atmospheres. W...
2003
Geraldine ARMSTRONG
Free Style Jazz Int
Free Style Jazz ease our minds and tingle our soul „My conception is pretty simple giving me the possibility to take the dancers through different moods, different sensations, different atmospheres. W...
2003
Milli BITTERLI
Body Technique o
Body Technique Discourse on the understanding of movement “My intention is a discourse on the understanding of movement in the diverse disciplines centered around the concept of “contemporary dance“. To co...
2003
Janis BRENNER
Moving, Sounding & Acting o
Moving, Sounding and Acting discover your own holistic sense of art The classes are a synthesis of Janis Brenner’s many years of working with such artists as Meredith Monk, Murray Louis and Alwin N...
2003
Elizabeth CORBETT
Forsythe Repertory
Forsythe Repertory Improvisational manipulation of the dance phrases Elizabeth Corbett, who was a principal soloist of the Frankfurt Ballet with William Forsythe for more than a decade, will be exploring...
2003
Elizabeth CORBETT
Classical Ballet
Classical Ballet understanding anatomy means respecting our own bodies Elizabeth Corbett, who was a principal soloist of the Frankfurt Ballet with William Forsythe for more than a decade will give...
2003
Elizabeth CORBETT
Classical Ballet
Classical Ballet understanding anatomy means respecting our own bodies Elizabeth Corbett, who was a principal soloist of the Frankfurt Ballet with William Forsythe for more than a decade will give...
2003
Elizabeth CORBETT
Kindertanz (3-5 Jährige)
Children Dance for the 3 to 5 years old challenging and funny Elizabeth Corbett, former soloist dancer with William Forsythe’s Ballett Frankfurt and a mother of an eight year old girl, employs the n...
2003
Elizabeth CORBETT
Forsythe Repertory (B)
Forsythe Repertory Improvisational manipulation of the dance phrases Elizabeth Corbett, who was a principal soloist of the Frankfurt Ballet with William Forsythe for more than a decade, will be exploring...
2003
Gilson DE ASSIS
Latin Conga Int
Latin Conga main instrument of Latin Percussion found in all the formations of Cuban and Brazilian music Variety of rhythms, ethnic, but also religious roots, the thrilling groove, the power of percussion....
2003
Gilson DE ASSIS
Latin Conga Adv*
Latin Conga main instrument of Latin Percussion found in all the formations of Cuban and Brazilian music Variety of rhythms, ethnic, but also religious roots, the thrilling groove, the power of percussion....
2003
Christiane DERTNIG †
Feldenkrais o
Feldenkrais Method - Awareness through Movement „...don‘t change your breathing, ...don‘t do any tricks... do it many, many times,,,“ (Moshé Feldenkrais, 1981) A smooth way to get in touch with the...
2003
David DORFMAN
Moving with Momentum
Moving with Momentum Momentum, partnering and power David Dorfman, multiply awarded choreographer and teacher based in New York, will offer material ranging from release-based work connecting with...
2003
David DORFMAN
Moving with Momentum Adv
Moving with Momentum Momentum, partnering and power David Dorfman, multiply awarded choreographer and teacher based in New York, will offer material ranging from release-based work connecting with...
2003
David DORFMAN
Movements To Live By Beg
Movements To Live By dancing in a collaborative creative process David Dorfman, honored in New York among others with a 1996 New York Dance & Performance Award ("Bessie") for a community-based project,...
2003
Ori FLOMIN
Yoga for Dancers o
Yoga for Dancers Yoga as an art, a science and a practice In this Hatha Vinyasa based class the Israeli Ori Flomin, member of the Stephen Petronio Company for many years, will present Yoga as an art,...
2003
Ori FLOMIN
Contemporary Technique Int
Contemporary Technique Spatial extremes outside imagined boundaries Elements from Yoga, Ballet and Release technique strengthen the connections within the body‘s structure and maximize the effects o...
2003
Ori FLOMIN
Contemporary Technique
Contemporary Technique Spatial extremes outside imagined boundaries Elements from Yoga, Ballet and Release technique strengthen the connections within the body‘s structure and maximize the effects o...
2003
Ori FLOMIN
Yoga for Dancers (B) o
Yoga for Dancers Yoga as an art, a science and a practice In this Hatha Vinyasa based class the Israeli Ori Flomin, member of the Stephen Petronio Company for many years, will present Yoga as an art,...
2003
Elio GERVASI
Relaxation/Revitalization/Dance o
Relaxation, Revitalization, Dance coordination of finding our centre, our balance and of moving freely Especially in dance we tend to overwork certain body parts with the consequence that they do not...
2003
Elio GERVASI
Modern Technique
Moderne Technique the natural breathing rhythm in connection with the movement in space „In my seminar I teach fundamental technical elements of Modern Dance. We will get support from perceiving t...
2003
Elio GERVASI
Introduction to Modern Beg
Intro to Modern Coordination, fluidity and balance Basic elements of Modern Dance: coordination, elasticity, fluidity, release and balance will be taught in the context of uncomplicated technical exercises....
2003
Zvi GOTHEINER
Ballet for Contemporary Dancers Adv
Ballet for Contemporary Dancers emphasis on placement and movement efficiency As a ballet teacher Zvi Gotheiner whose choreographic work is rooted in contemporary movement has been inspired by Maggie...
2003
Zvi GOTHEINER
Ballet for Contemporary Dancers
Ballet for Contemporary Dancers emphasis on placement and movement efficiency As a ballet teacher Zvi Gotheiner whose choreographic work is rooted in contemporary movement has been inspired by Maggie...
2003
Brian "Footwork" GREEN
HipHop/House Int
HIP-HOP/ House improvisation of basic hip-hop social dances is the true art of hip-hop's dance culture Brian who started dancing at the age of five with different dances from tribes of Africa and is...
2003
Brian "Footwork" GREEN
HipHop/House
HIP-HOP/ House improvisation of basic hip-hop social dances is the true art of hip-hop's dance culture Brian who started dancing at the age of five with different dances from tribes of Africa and is...
2003
Judith GRODOWITZ
Alexander Technique & Improvisation o
Alexander Technique & Improvisation moving from the core/moving towards the source “How does a new awareness and integration in the body inform our imaginative, moving life? As we undo unconscious, h...
2003
Judith GRODOWITZ
Alexander Technique & Movement Int
Alexander Technique & Movement PAUSING momentarily to allow ourselves to respond in the moment rather than react habitually In this this class Judith Grodowitz, highly experienced Alexander teacher...
2003
Eva HAGER-FORSTENLECHNER
Spiraldynamik o
Spiral dynamics Spiral dynamics is a three-dimensional amazement After a short warm up the principles of spiral dynamics and basic anatomical knowledge are transmitted with the help of a skeletal model....
2003
Andrew de Lotbinière HARWOOD
Instant Instinct
Instant Instinct After a releasing and sense-awakening warm-up we enter the rich and instinctive arena of the unknown with an open mind and a curious body. Simple directions and basic structures will...
2003
Andrew de Lotbinière HARWOOD
Contact Improvisation o
Contact-Improvisation II/III This is a workshop open to students with at least a year of solid contact experience. The role of perception, sensation, expression and imagination will be examined. We will...
2003
Andrew de Lotbinière HARWOOD
Instant Instinct o
Instant Instinct After a releasing and sense-awakening warm-up we enter the rich and instinctive arena of the unknown with an open mind and a curious body. Simple directions and basic structures will...
2003
Andrew de Lotbinière HARWOOD
Improvisation for Performers
Improvisation for performers These classes focus on improvisation as a performance art. To me the unique value of improvisation lies in its live spontaneity, its potential to discover something spectacularly...
2003
Andrew de Lotbinière HARWOOD
Contact Improvisation o
Contact-Improvisation o This class is open to all levels of experience. Release Technique, imagery and anatomically based sequences lead us to a grounded internal experience of our weight in motion....
2003
Márcia HAYDÉE
Classical Ballet
Classical Ballet produce a steady top performance and control the factors of stress "Due to my personal experience of over 50 professional years on stage I have developed a personal approach to the...
2003
Kathleen HERMESDORF †
Partnering
Partnering power and leverage, frame and grip Gravity and levity, weight-sharing, power and leverage, frame and grip, rhythm and momentum, velocity and suspension. Practice through the training of...
2003
Kathleen HERMESDORF †
Partnering (B)
Partnering power and leverage, frame and grip Gravity and levity, weight-sharing, power and leverage, frame and grip, rhythm and momentum, velocity and suspension. Practice through the training of...
2003
Ismael IVO †
Modern Expressive Dance
Modern Expressive Dance technique as a pathway for free imagination Movement is used for researching the body's anatomical potential to make us understand its form better and thus learn to discover...
2003
Ismael IVO †
Modern Expressive Dance Int
Modern Expressive Dance technique as a pathway for free imagination Movement is used for researching the body's anatomical potential to make us understand its form better and thus learn to discover...
2003
Howard KATZ FIREHEART
BudoFlux
BudoFlux-Technik A flexible ki for a continuous sequence of movement, breath and concentration In this movement system Howard Katz, American in Germany and far traveling teacher at numerous international...
2003
Howard KATZ FIREHEART
BudoFlux Adv
BudoFlux-Technik A flexible ki for a continuous sequence of movement, breath and concentration In this movement system Howard Katz, American in Germany and far traveling teacher at numerous international...
2003
Howard KATZ FIREHEART
BudoFlux Technique Adv
BudoFlux-Technik A flexible ki for a continuous sequence of movement, breath and concentration In this movement system Howard Katz, American in Germany and far traveling teacher at numerous international...
2003
KERIAC †
Instant Composition o
Instant Composition how to strengthen the external frame of the whole? “Each dancer in an improvisation has the responsibility to select from his/her rich variety of possible movement material that w...
2003
KERIAC †
Technique of Simplicity o
The Technique of Simplicity Achieving more by doing less “Our warm-up will use grounding techniques, paying special attention to the breath for actualizing weight shift, and focusing on the quiet i...
2003
Martin KILVÁDY
Rosas Repertory
Rosas’ Repertory how to find individual trajectories? how to create diversity? Martin Kilvady, born and educated in Slovakia, joined the Rosas dance company 1997. He danced in "Woud", performed in t...
2003
Martin KILVÁDY
Contemporary Technique Int
Contemporary Technique directed freedom of expression “To teach the body to discover and adopt new habits, new models of movement and at the same time let the dancer be guided by his/her body instincts a...
2003
Martin KILVÁDY
Contemporary Technique
Contemporary Technique directed freedom of expression “To teach the body to discover and adopt new habits, new models of movement and at the same time let the dancer be guided by his/her body instincts a...
2003
Martin KILVÁDY
Rosas Repertory (B)
Rosas’ Repertory how to find individual trajectories? how to create diversity? Martin Kilvady, born and educated in Slovakia, joined the Rosas dance company 1997. He danced in "Woud", performed in t...
2003
Koffi KÔKÔ
Danse Africaine Moderne
Danse Africaine Moderne actual experience of the dance Koffi Kôkô familiar with African dance in his home country Benin from childhood on focuses on the relation of the student to her/his own body a...
2003
Koffi KÔKÔ
Danse Africaine Moderne Int
Danse Africaine Moderne actual experience of the dance Koffi Kôkô familiar with African dance in his home country Benin from childhood on focuses on the relation of the student to her/his own body a...
2003
Jennifer LACEY
Release Training o
Release TrainingEngaged investigation of phrase material New York choreographer/dancer Jennifer Lacey integrates specific anatomical directives and broader poetic images. This combination encourages...
2003
Jennifer LACEY
Improvisation
Improvisation in Performance be specific in an unpredictable situation In this workshop Jennifer Lacey, choreographer and performer based in Paris and New York, will consider improvisation as a compositional...
2003
Corinne LANSELLE
Danse Moderne
Danse Moderne to open the centre of the body towards the extremities Corinne Lanselle accentuates contemporary dance technique, influenced by martial arts and Feldenkrais – that means by the support o...
2003
Corinne LANSELLE
Danse Moderne Int
Danse Moderne to open the centre of the body towards the extremities Corinne Lanselle accentuates contemporary dance technique, influenced by martial arts and Feldenkrais – that means by the support o...
2003
Corinne LANSELLE
Beginner’s Technique Beg
Beginner’s Technique Body, earth, walls, and the sensibility of the skin Corinne Lanselle gives an introduction into modern with simple exercises and dance combinations, though following the identical c...
2003
Edna LIMA
Capoeira
Capoeira expect to have fun and work hard! Capoeira is a uniquely African-Brazilian martial art born in an age of slavery and nurtured in a quest for freedom to become a dramatic performance art in...
2003
Edna LIMA
Capoeira Int
Capoeira expect to have fun and work hard! Capoeira is a uniquely African-Brazilian martial art born in an age of slavery and nurtured in a quest for freedom to become a dramatic performance art in...
2003
Nita LITTLE
Principals of contact improvisation o
Principals of contact improvisationBorn in a sea of touch, formed from the inside out „Born in a sea of touch, contact improvisation is a dance that was formed from the inside out.- from sensation t...
2003
Nita LITTLE
In touch: contact improvisation skills
In touch: contact improvisation skills II a process of letting go and arriving at the same time „Being "in touch" is a state of mind and a state of body. A pseudonym for being grounded, aware, connected, a...
2003
Mark LORIMER
Rosas Repertory
Rosas Repertory Presenting a construction system that brings in a tantalizing mathematical and creative element „Basically we will be using the systems and the material from the 'Percussion' piece (...
2003
Mamadou M’BAYE
Afrikanischer Kindertanz (6-8 Jährige)
African Dance for Children (6 to 8 years old and 9 to 12 years old) everything human beings created, human beings can learn Above all Mamadou intends to convey joy in moving in accordance with the...
2003
Mamadou M’BAYE
African Percussion Int
African Percussion a dancer, musician and poet Mamadou M´Baye teaches poly rhythms from Senegal, introduces a wide range of sounds and tones and different forms of musical improvisation. In the original ...
2003
Mamadou M’BAYE
Afrikanischer Kindertanz (9-12Jährige)
African Dance for Children (6 to 8 years old and 9 to 12 years old) everything human beings created, human beings can learn Above all Mamadou intends to convey joy in moving in accordance with the...
2003
Claudia MADER
Feldenkrais Method o
Feldenkrais Method distinguish between useful activities and actions wasting yourself There are moments in life and on stage when everything is perfect. All the details such as awareness, power, balance,...
2003
Barbara MAYR
Body Control Pilates
Body Control Pilates minimalistic-like exercises Our main focus will be on fluent movement series that emphasize dynamic coodination of muscular stretching, strengthening and correct breathing. After...
2003
Barbara MAYR
Body Control Pilates o
Body Control Pilates minimalistic-like exercises Our main focus will be on fluent movement series that emphasize dynamic coodination of muscular stretching, strengthening and correct breathing. After...
2003
Gustavo MIRANDA
Walking o
Walking Walking - at least a great "basic step" towards dance “How we walk has great influence on how we'll dance. Walking may be one's full danced expression or at least a great "basic step" towards i...
2003
Gustavo MIRANDA
Capoeira for Dancers Int
Capoeira for Dancers A dance hiding a martial art disguising a dance A dance hiding a martial art disguising a dance, a game played with music; bringing African traditions with the human bodies transported...
2003
Ko MUROBUSHI †
Danse Butoh o
Danse Butoh From the Butoh / to the Butoh Suffocation, illness-transformations, betweenness of pain and pleasure and voice of magic „We are trying to inscribe the history of Butoh in our process. I...
2003
Ko MUROBUSHI †
Danse Butoh (B) o
Danse Butoh From the Butoh / to the Butoh Suffocation, illness-transformations, betweenness of pain and pleasure and voice of magic „We are trying to inscribe the history of Butoh in our process. I...
2003
Milton MYERS
Ailey Repertory
Ailey Repertory versatile repertory demanding physical and spatial clearity Based on the principles of the Horton Technique we will investigate the versatile repertory of Alvin Ailey. The results of...
2003
Milton MYERS
Horton Technique
Horton-Technique the grace of disciplined movement Horton Technique enables us to develop endurance, flexibility and the communicative possibilities of dance. Significant elements are clear lines,...
2003
Milton MYERS
Horton Technique Adv
Horton-Technique the grace of disciplined movement Horton Technique enables us to develop endurance, flexibility and the communicative possibilities of dance. Significant elements are clear lines,...
2003
Janet PANETTA †
Ballet for Contemporary Dancers
Ballet for Contemporary Dancers a firm technical foundation and freedom of movement As she has trained some of the major American and European companies Janet Panetta is drawing from an extensive experience...
2003
Janet PANETTA †
Investigating Ballet
Investigating Ballet appriciating function as beauty Janet Panetta’s work involves the deconstruction of movement into technical basics that dancers from varied backgrounds can understand. We work f...
2003
Janet PANETTA †
Ballet for Contemporary Dancers Int
Ballet for Contemporary Dancers a firm technical foundation and freedom of movement As she has trained some of the major American and European companies Janet Panetta is drawing from an extensive experience...
2003
Chrysa PARKINSON
Contemporary Technique
Contemporary Technique The relationship between how and what you dance Chrysa Parkinson is an independent dancer and teacher from New York and was awarded a “Bessie“ (New York Dance and Performance Awa...
2003
Chrysa PARKINSON
Contemproary Technique Int
Contemporary Technique The relationship between how and what you dance Chrysa Parkinson is an independent dancer and teacher from New York and was awarded a “Bessie“ (New York Dance and Performance Awa...
2003
Chrysa PARKINSON & Mark LORIMER
The Espionage Kit
The Espionage Kit full independence and forced coincidence In a very special way this class combines the work of Chrysa Parkinson on creating solo scores and the work Mark Lorimer has done in Cie Zoo...
2003
Lisa RACE
Upside Down /Right Side Up
Upside Down/Right Side Up effortlessly suspended and up-end the body in space Upside Down/Right Side Up G/I: "The extensive floor warm-up will enable one to move in and out of the floor with ease,...
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Date: 18.05.2024, 01:01 | Link: https://www.impulstanz.com/en/search/en/workshops/pid4845/en/search/workshops/pnr38/