5126 results

Workshops
2003
Lisa RACE
Upside Down /Right Side Up Int
Upside Down/Right Side Up effortlessly suspended and up-end the body in space Upside Down/Right Side Up G/I: "The extensive floor warm-up will enable one to move in and out of the floor with ease,...
2003
Lisa RACE
Upside Down/Right Side Up
Upside Down/Right Side Up effortlessly suspended and up-end the body in space Upside Down/Right Side Up G/I: "The extensive floor warm-up will enable one to move in and out of the floor with ease,...
2003
Dieter REHBERG
Choreographing The Mind o
Choreographing the Mind – Bodywork and Performance shape the inner form, out of which the movement comes one perceives on the outside The performance artist and body therapist Dieter Rehberg from V...
2003
Dieter REHBERG
BodyMindCentering o
BodyMind Centering gentle touch and attention to clear physical structures In this class the performance artist and body therapist Dieter Rehberg from Vienna combines touch, phantasy and creative...
2003
Judith REYN
Classical Ballet
Classical Ballet opening muscles and joints Versatile and experienced pedagogue Judith Reyn - who was first soloist in the Stuttgarter Ballet with John Cranko- is highly appreciated for the personal...
2003
Judith REYN
Classical Ballet Int
Classical Ballet opening muscles and joints Versatile and experienced pedagogue Judith Reyn - who was first soloist in the Stuttgarter Ballet with John Cranko- is highly appreciated for the personal...
2003
Tony RIZZI
Release Ballet
Release Ballet a study in pure energy direction “My ballet class utilizes the lines and stretch of ballet, the speed and lightness of Balanchine, and incorporates the idea of release technique to f...
2003
Tony RIZZI
Improvisation for Performers
Improvisation for Performers Possibilities are endless The training will help the dancers to free their mind and discover the many possibilities already lying within and relating to their individual...
2003
Günter SCHÖBERL
Qi Gong o
Qi Gong man swims in Qi like fish in water „We are investigating the pure forms of traditional energy work. We will learn and practise the so called Lohan Qi-Gong and the Nai Kung. Every class features d...
2003
Marjory SMARTH
HipHop/House
Hip-Hop/House the diversity of not only the rhythms, but also the ways to express, move, and dance Marjory whose dance education took place largely in the streets of New York started her international...
2003
Marjory SMARTH
HipHop/House Int
Hip-Hop/House the diversity of not only the rhythms, but also the ways to express, move, and dance Marjory whose dance education took place largely in the streets of New York started her international...
2003
Risa STEINBERG
Limón Technique
Limón-Technique you have the capacity to dance as long as you want The technique, style, and philosophy of the Limón class include the principles of fall and rebound: the challenge of yielding to a...
2003
Risa STEINBERG
Limón Technique Adv
Limón-Technique you have the capacity to dance as long as you want The technique, style, and philosophy of the Limón class include the principles of fall and rebound: the challenge of yielding to a...
2003
Ted STOFFER
Contemporary Technique
Contemporary Technique integration of choice, time and connection into spontaneous movement A yoga based warm-up and standing exercises are designed to bring attention to the integrity of the body...
2003
Ted STOFFER
Contemporary Technique Int
Contemporary Technique integration of choice, time and connection into spontaneous movement A yoga based warm-up and standing exercises are designed to bring attention to the integrity of the body...
2003
STORM
Breaking/Bboying o
Popping/Locking Breaking/Bboying Away from pure acrobatics back to dance! Philosophy and origin of the dance forms Locking, Popping, and B-Boying are transmitted along with the basic techniques. Special...
2003
STORM
Popping/Locking o
Popping/Locking Breaking/Bboying Away from pure acrobatics back to dance! Philosophy and origin of the dance forms Locking, Popping, and B-Boying are transmitted along with the basic techniques. Special...
2003
Anastasia STOYANNIDES
Hatha Yoga o
Hatha-Yoga/Bien Temperé how to create a maximum of effect with a minimum of effort „All those years of involvement in Yoga I have been experiencing it as a physical training that offers a key to an...
2003
Irène TASSEMBEDO
Danse Africaine
Danse Africaine Dancers and musicians approaching their freedom and autonomy Irène Tassembedo born in Burkino Faso has been developing a remarkable choreographic style during and after her studies ...
2003
Irène TASSEMBEDO
Danse Africaine Int
Danse Africaine Dancers and musicians approaching their freedom and autonomy Irène Tassembedo born in Burkino Faso has been developing a remarkable choreographic style during and after her studies ...
2003
Bruce TAYLOR
Modern Jazz Int
Modern Jazz modern dance swinging with the energy of jazz The elegant mover and passionate pedagogue Bruce Taylor, long ago educated at Alvin Ailey American Dance Center, about his dance style today:...
2003
Bruce TAYLOR
Modern Jazz
Modern Jazz modern dance swinging with the energy of jazz The elegant mover and passionate pedagogue Bruce Taylor, long ago educated at Alvin Ailey American Dance Center, about his dance style today:...
2003
Bruce TAYLOR
Modern Jazz Adv
Modern Jazz modern dance swinging with the energy of jazz The elegant mover and passionate pedagogue Bruce Taylor, long ago educated at Alvin Ailey American Dance Center, about his dance style today:...
2003
Be VAN VARK
Tanztheater 7-9 Jährige
Tanztheater 7-9 years I have a dream I wish that .... sometimes I am dreaming ... I am afraid when ... I wish I will drive a supercool car one day. I wish I will have a good time with my brothers...
2003
Be VAN VARK
Tanztheater
10-13 Jährige
Tanztheater 10-13 Jährige To Anna Blume O du geliebte meiner siebenundzwanzig Sinne (O you beloved of my twentyseven senses) ich liebe dir! - du deiner dich dir, ich dir, du mir, - Wir? Das ...
2003
Gavin WEBBER
Yoga for Dancers o
Yoga for Dancers catalysing self awareness, mental clarity, emotional strength and stability, and physical vitality “Yoga Chi Gung, a form combining the vinyasa yoga (ie. flow of postures) and Chi G...
2003
Gavin WEBBER
Ultima Vez Repertory
Ultima Vez Repertory to consider movement a 'theatrical act' rather than a 'technique' “We will work on the repertory of In Spite of Wishing and Wanting and Inasmuch as Life is Borrowed. Participants w...
2003
Gavin WEBBER
Ultima Vez Repertory (B)
Ultima Vez Repertory to consider movement a 'theatrical act' rather than a 'technique' “We will work on the repertory of In Spite of Wishing and Wanting and Inasmuch as Life is Borrowed. Participants w...
2003
Angélique WILLKIE
Dance and Voice o
Dance and Voice breath as the primary source of both movement and sound „Traditionally, music is an external support for the dance. I propose that through the voice, the "music" is created and performed b...
2003
Angélique WILLKIE
Dance and Voice (B) o
Dance and Voice breath as the primary source of both movement and sound „Traditionally, music is an external support for the dance. I propose that through the voice, the "music" is created and performed b...
2003
Elsa WOLLIASTON
Danse Africaine
"negrifude", "Black Soul" – Black Conscience and Afro-Brazilian culture The Brazilian Gilson de Assis teaches the young music style Samba Reggae on Surda, Caixa, Repique and Timbau. Samba Reggae was d...
2003
Elsa WOLLIASTON
Danse Africaine Int
"negrifude", "Black Soul" – Black Conscience and Afro-Brazilian culture The Brazilian Gilson de Assis teaches the young music style Samba Reggae on Surda, Caixa, Repique and Timbau. Samba Reggae was d...
2003
Heike WREDE
Authentic Movement o
Moving from within - Authentic Movement be simply aware of what is happening without judgments Authentic Movement is a self-directed movement form. And a practise of awareness without judgement. One...
2003
Heike WREDE
The Full Moon Inside Your House
The Full Moon Inside Your House Inner sources and emotional dimension that are kept present in performance This class is based on Authentic Movement, developed for improvisation and performance. Authentic...
2002
Joe ALEGADO
Modern Technique
Power and freedom of movement Modern Technique How to bring together the important elements of dance – the passion and the discipline and fine tuning of the body? ... To dance, guided by an animal i...
2002
Joe ALEGADO
Modern Technique Adv
Power and freedom of movement Modern Technique How to bring together the important elements of dance – the passion and the discipline and fine tuning of the body? ... To dance, guided by an animal i...
2002
Joe ALEGADO
Startup Modern Beg
A sensation of earth profoundly affecting our movement Startup-Modern All my teaching reflects a dedication to establishing our relationship to the earth … to the animal in us. I want to transmit t...
2002
Joe ALEGADO
Modern Technique o
Power and freedom of movement Modern Technique How to bring together the important elements of dance – the passion and the discipline and fine tuning of the body? ... To dance, guided by an animal i...
2002
Alito ALESSI
Contact Improvisation o
freedom of expression and communication Contact-Improvisation Contact Improvisation is a dance form focussing on communicating with others, on experiencing them, and relating with them through physical...
2002
Alito ALESSI
DanceAbility o
Explore the language of your own body DanceAbility "DanceAbility" welcomes people of all different backgrounds to explore the language of their own bodies through creative movement, and to learn how...
2002
Alito ALESSI
Body Work o
Maintenance for dancers, tools for practioners Body Work I have taught bodywork always in conjunction with my dance and improvisation teaching. We will use breath and movement as a physical awareness...
2002
Vanessa ANDRADA
Street Jazz Int
sure to appeal to folks of all ages and technical levels Street Jazz "This is not a class, this is an experience! Easy exercises will introduce you to the exciting world of contemporary jazz dance,...
2002
Vanessa ANDRADA
Street Jazz
sure to appeal to folks of all ages and technical levels Street Jazz "This is not a class, this is an experience! Easy exercises will introduce you to the exciting world of contemporary jazz dance,...
2002
Vanessa ANDRADA
West Coast Craze Int
style and graze of the latest moves West Coast Craze "West Coast Craze is a funny, intense and high energy hiphop class for b-girls and b-boys. With ease you will master the style and graze of the...
2002
Vanessa ANDRADA
Street Jazz Adv*
sure to appeal to folks of all ages and technical levels Street Jazz "This is not a class, this is an experience! Easy exercises will introduce you to the exciting world of contemporary jazz dance,...
2002
Vanessa ANDRADA
West Coast Craze
style and graze of the latest moves West Coast Craze "West Coast Craze is a funny, intense and high energy hiphop class for b-girls and b-boys. With ease you will master the style and graze of the...
2002
Geraldine ARMSTRONG
Blues-Jazz
muscles, bones, and guts responding to the blues Blues-Jazz "For the warm-up, moving across the floor, and the dance combinations I will use blues, gospel and jazz music. The blues: music and words...
2002
Geraldine ARMSTRONG
Blues-Jazz Int
muscles, bones, and guts responding to the blues Blues-Jazz "For the warm-up, moving across the floor, and the dance combinations I will use blues, gospel and jazz music. The blues: music and words...
2002
Geraldine ARMSTRONG
Free Style Jazz
Free Style Jazz I will play with the moods and the atmosphere of the group, so the students will play a very important role in the way the classes will develop. After a thorough warmup and combinations...
2002
Geraldine ARMSTRONG
Free Style Jazz Int
Free Style Jazz I will play with the moods and the atmosphere of the group, so the students will play a very important role in the way the classes will develop. After a thorough warmup and combinations...
2002
Simone AUGHTERLONY
Reality Check
How do I feel in this moveing body? These classes will focus on the performance of movement material and on the exploration of emotional sources that allow „the dance“ to have a personality of its own...
2002
Milli BITTERLI
Body Technique o
Discourse on the understanding of movement My intention is a discourse on the understanding of movement in the diverse disciplines centered around the concept of "contemporary dance". To compliment...
2002
Janis BRENNER
Moving, Sounding & Acting o
discover your own holistic sense of art This workshop explores the process of integrating movement, voice and speaking by delving into the mind/body connection through structured improvisation. The...
2002
Cristina CAPRIOLI
Contemporary Technique Int
Intertwined lines of energy and thought Contemporary Technique Cristina Caprioli gathers in her teaching the various lessons taught by the past decades of modern, post-modern and contemporary dance....
2002
Cristina CAPRIOLI
Contemporary Technique
Intertwined lines of energy and thought Contemporary Technique Cristina Caprioli gathers in her teaching the various lessons taught by the past decades of modern, post-modern and contemporary dance....
2002
Elizabeth CORBETT
Improvisation
"Complexity and grace inspired by a body left to its own listening" William Forsythe Improvisation I will offer deep insight into the unique methods and techniques of dance improvisation as developed...
2002
Elizabeth CORBETT
Classical Ballet
understanding anatomy means respecting our own bodies Classical Ballett In all her ballet classes Elizabeth Corbett will give special emphasis on placement and musicality. Her teaching style is classical...
2002
Elizabeth CORBETT
Kindertanz für 3-5jährige
challenging and funny children dance Elizabeth, herself mother of a nine year old girl, employs the natural connection to music children have, their special ways of communicating and their playful...
2002
Elizabeth CORBETT
Forsythe Repertory
Forsythe Repertory We'll be working with William Forsythe's "Limb's Theorum" and "In the middle somewhat elevated". From "Limb's Theorum" we will explore variations and phrases integrating elements of...
2002
Erin CORNELL
Modern Technique Int
a vehicle to question and push yourself This class investigates the integration of weight, space and time. Drawing from the influence of martial arts, yoga, BMC, Alexander and contemporary dance techniques,...
2002
Erin CORNELL
Modern Technique Adv
a vehicle to question and push yourself This class investigates the integration of weight, space and time. Drawing from the influence of martial arts, yoga, BMC, Alexander and contemporary dance techniques,...
2002
Issa DAKUYO
Arican Percussion Int
Musique d‘Afrique Issa Dakuyo (djembé, balafon, voice) and Moussa Hema (balafon, djembé) are both from Burkina Faso and both brilliant musicians. They have been cooperating for more than ten years and...
2002
Gilson DE ASSIS
Samba-Reggae Int
"negrifude", "Black Soul" – Black Conscience and Afro-Brazilian culture The Brazilian Gilson de Assis teaches the young music style Samba Reggae on Surda, Caixa, Repique and Timbau. Samba Reggae was d...
2002
Gilson DE ASSIS
Samba-Reggae Adv*
"negrifude", "Black Soul" – Black Conscience and Afro-Brazilian culture The Brazilian Gilson de Assis teaches the young music style Samba Reggae on Surda, Caixa, Repique and Timbau. Samba Reggae was d...
2002
João DE BRUCO
Performing Body o
make the comic/grotesque and dramatic potential of the body visible A research on anatomical possibilities: muscular chains, the function of the "rebel" in the body, the path from local and minimal...
2002
Christiane DERTNIG †
Feldenkrais-Methode o
A smooth way to get in touch with the body through playful movement. Slow movement sequences are repeated attentively in order to increase the sensibility of the body. In this process of self-discovery...
2002
Maria DINOLD & Katalin ZANIN
Körpertraining für Menschen mit und ohne Behinderung o
Exploring individual movement possibilities This seminar is dedicated to physically disabled young people with or without wheelchairs, to blind and visually disabled people, and to mentally disabled...
2002
Alexis EUPIERRE
Contemporary Technique Int
Connection and the process of observation and translation Contemporary Technique There are two very important things in dancing: connection and the process of observation and translation. The body...
2002
Alexis EUPIERRE
Contemporary Technique
Connection and the process of observation and translation Contemporary Technique There are two very important things in dancing: connection and the process of observation and translation. The body...
2002
Alexis EUPIERRE
Improvisation
idea – perception – desire Improvisation The main goal for this class is to find a free way of expressing movement without losing the clarity of intention. I will give room for the dancers to experience the...
2002
Libby FARR
Ballet for Contemorary Dancers Int
easier, more joyful, and more human The class continually re-evaluates classical technique focusing on strenghtening the dancers’ awareness of their own alignment. Libby Farr’s study of the body tec...
2002
Libby FARR
Ballet for Contemporary Dancers
easier, more joyful, and more human The class continually re-evaluates classical technique focusing on strenghtening the dancers’ awareness of their own alignment. Libby Farr’s study of the body tec...
2002
Ori FLOMIN
Contemporary Technique Int
Spatial extremes outside imagined boundaries Elements from Yoga, Ballet and Release technique strengthen the connections within the body‘s structure and maximize the effects of gravity for moving i...
2002
Ori FLOMIN
Contemporary Technique
Spatial extremes outside imagined boundaries Elements from Yoga, Ballet and Release technique strengthen the connections within the body‘s structure and maximize the effects of gravity for moving i...
2002
Elio GERVASI
Relaxation/Revitalization/Dance o
Coordination of finding our centre, our balance and moving freely Relaxation, Revitalization, Dance Especially in dance we tend to overwork certain body parts with the consequence that they do not...
2002
Elio GERVASI
Moderner Tanz Int
the natural breathing rhythm in connection with the movement in space Moderner In my seminar I teach fundamental technical elements of Modern Dance. We will get support from perceiving the natural...
2002
Zvi GOTHEINER
Ballet for Contemporary Dancers Adv
emphasis on placement and movement efficiency Zvi Gotheiner has created an internationally acclaimed teaching method, inspired by the work of Maggie Black. With the emphasis on placement and movement...
2002
Zvi GOTHEINER
Ballet for Contemporary Dancers o
emphasis on placement and movement efficiency Zvi Gotheiner has created an internationally acclaimed teaching method, inspired by the work of Maggie Black. With the emphasis on placement and movement...
2002
Zvi GOTHEINER
Ballet for Contemporary Dancers
emphasis on placement and movement efficiency Zvi Gotheiner has created an internationally acclaimed teaching method, inspired by the work of Maggie Black. With the emphasis on placement and movement...
2002
Brian "Footwork" GREEN
House o
House o House began in the late 70s/early 80s in Chicago, where it was called Jacking. House also makes use of the freestyle movements characterizing the Disco and Funk era of the 70's and 80s.
2002
Brian "Footwork" GREEN
Hip Hop o
HipHop o Brian teaches the names of those hiphop movements that were legendary in the hiphop clubs of New York's underground scene. He moves from name dances to the evolution of hiphop. This class also...
2002
Judith GRODOWITZ
Alexander Technique & Improvisation o
Alexander-Technik & Improvisation o Moving from Core/Moving towards Source: How does a new awareness and integration in the body inform our imaginative, creative, moving life? We learn to listen to our...
2002
Judith GRODOWITZ
Alexander Technique & Movement Int
Alexander Technique & Movement Our focus will be on learning to embody Alexander's basic and profound tools in order to increase awareness and freedom in movement: simple observation of the self – becoming c...
2002
Eva HAGER-FORSTENLECHNER
Spiraldynamik o
After a short warm up the principles of spiral dynamics and basic anatomical knowledge are transmitted with the help of a skeletal model. Partner exercises and the translation of the new experiences into...
2002
Andrew de Lotbinière HARWOOD
Instant Instinct o
Instant Instinct o After a releasing and sense-awakening warm-up we enter the rich and instinctive arena of the unknown with an open mind and a curious body. Simple directions and basic structures will...
2002
Andrew de Lotbinière HARWOOD
Contact Improvisation Adv
Contact Improvisation I This class is open to all levels of experience. Release Technique, imagery and anatomically based sequences lead us to a grounded internal experience of our weight in motion. Practising...
2002
Andrew de Lotbinière HARWOOD
Contact Improvisation
Contact Improvisation II This is a workshop open to students with at least a year of solid contact experience. The role of perception, sensation, expression and imagination will be examined. We will challenge...
2002
Andrew de Lotbinière HARWOOD
Improvisation for Performers
Improvisation for Performers II These classes focus on improvisation as a performance art. To me the unique value of improvisation lies in its live spontaneity, its potential to discover something spectacularly...
2002
Márcia HAYDÉE
Classical Ballet
produce a steady top performance and control the factors of stress "Due to my personal experience of over 50 professional years on stage I have developed a personal approach to the technique that makes...
2002
Márcia HAYDÉE
Classical Ballet
produce a steady top performance and control the factors of stress "Due to my personal experience of over 50 professional years on stage I have developed a personal approach to the technique that makes...
2002
Márcia HAYDÉE
Classical Ballet (B)
produce a steady top performance and control the factors of stress "Due to my personal experience of over 50 professional years on stage I have developed a personal approach to the technique that makes...
2002
Ismael IVO †
Modern Expressive Dance
technique as a path for free imagination Modern Expressive Dance Movement is used for researching the body's anatomical potential to make us understand its form better and thus learn to discover and...
2002
Ismael IVO †
Modern Expressive Dance Int
technique as a path for free imagination Modern Expressive Dance Movement is used for researching the body's anatomical potential to make us understand its form better and thus learn to discover and...
2002
Ismael IVO †
Modern Ethnic Dance
a meeting point for celebrating dance Modern Ethnic Dance "What would happen if, instead of only go by our life, we would allow ourselves the craziness or awareness to dance it?" (R.Garaudy). Dance...
2002
Ismael IVO †
Modern Ethnic Dance Int
a meeting point for celebrating dance Modern Ethnic Dance "What would happen if, instead of only go by our life, we would allow ourselves the craziness or awareness to dance it?" (R.Garaudy). Dance...
2002
Ismael IVO †
Modern Ethnic Dance Adv
a meeting point for celebrating dance Modern Ethnic Dance "What would happen if, instead of only go by our life, we would allow ourselves the craziness or awareness to dance it?" (R.Garaudy). Dance...
2002
Inge KAINDLSTORFER
Improvisation/Labor
experimenting instead of interpreting Time to arrive in the body. Taking the deep connection with the body as a basis, we will explore anatomical issues and spatial questions in solos. Excercises with...
2002
Howard KATZ FIREHEART
BudoFlux Technique Int
A flexible ki for a continuous sequence of movement, breath and concentration This movement system incorporates martial arts principles into dance. We develop a strong and flexible ki, or inner strength,...
2002
Howard KATZ FIREHEART
BudoFlux Technique
A flexible ki for a continuous sequence of movement, breath and concentration This movement system incorporates martial arts principles into dance. We develop a strong and flexible ki, or inner strength,...
2002
Martin KILVÁDY
Rosas Repertory
how to find individual trajectories? how to create diversity? The creation of "Drumming" by Anne Teresa de Keersmaeker, performed by Rosas Dance Company to the music of Steve Reich, was based on the...
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Date: 17.05.2024, 22:06 | Link: https://www.impulstanz.com/en/search/en/workshops/pid4617/en/search/workshops/pnr39/