5126 results

Workshops
2002
Martin KILVÁDY
Rosas Repertory (kurs B)
how to find individual trajectories? how to create diversity? The creation of "Drumming" by Anne Teresa de Keersmaeker, performed by Rosas Dance Company to the music of Steve Reich, was based on the...
2002
Martin KILVÁDY
Rosas Repertory (kurs C)
how to find individual trajectories? how to create diversity? The creation of "Drumming" by Anne Teresa de Keersmaeker, performed by Rosas Dance Company to the music of Steve Reich, was based on the...
2002
Koffi KÔKÔ
Danse Africaine Moderne
actually experience the dance Koffi Kôkô focuses on the relation of the students to their own bodies and the symbolism of the gestures used in African dances. Repetition of dances in harmony with t...
2002
Koffi KÔKÔ
Danse Africaine Moderne Int
actually experience the dance Koffi Kôkô focuses on the relation of the students to their own bodies and the symbolism of the gestures used in African dances. Repetition of dances in harmony with t...
2002
Yves "K-Lee" KONTE
Hip Hop Int
integrate the beauty of the gesture with the animal instinct "HipHop, the dance from the street, is inspired by movements of daily life. A rich dance with ample ground for creativity. A dance full of...
2002
Yves "K-Lee" KONTE
Hip Hop
integrate the beauty of the gesture with the animal instinct "HipHop, the dance from the street, is inspired by movements of daily life. A rich dance with ample ground for creativity. A dance full of...
2002
Jennifer LACEY
Release Training o
Engaged investigation of phrase material Release Training Specific anatomical directives together with broader poetic images encourage a fluid, active alignment and an easy flow between internal and...
2002
Jennifer LACEY
Improvisation
be specific in an unpredictable situation Improvisation This workshop will consider improvisation as a compositional performance form. We will work on focusing our concentration and ability to be specific...
2002
Mia LAWRENCE
Yoga for Dancers o
Yoga for dancers Mia Lawrence likes to share her passion for yoga combining elements of Kundalini and Hatha yoga. Class begins with hatha yoga asanas – physical postures designed to open the body and c...
2002
Mia LAWRENCE
Releasing Contemporary Technique
Conscious connections between the bones Releasing Contemporary Technique My emphasis is on the skeletal structure, conscious awareness, and breath. We begin with yoga breathing exercises followed by...
2002
Mia LAWRENCE
Yoga for Dancers (B) o
Yoga for dancers Mia Lawrence likes to share her passion for yoga combining elements of Kundalini and Hatha yoga. Class begins with hatha yoga asanas – physical postures designed to open the body and c...
2002
Charmaine LEBLANC
Voice & Movement o
the voice as the ultimate musical instrument I firmly believe that the voice can be used as the ultimate musical instrument for the dancer, since it gives breath to movement and since movement serves...
2002
Charmaine LEBLANC
Voice & Movement (kurs B) o
the voice as the ultimate musical instrument I firmly believe that the voice can be used as the ultimate musical instrument for the dancer, since it gives breath to movement and since movement serves...
2002
Louise LECAVALIER
Contemporary Training o
Exercices similar to those athletes do I will share my way of training which is not attached to any dance style. It consists of exercises similar to those athletes do with some elements of boxing, all...
2002
Louise LECAVALIER
Contemporary Training (kurs B) o
Exercices similar to those athletes do I will share my way of training which is not attached to any dance style. It consists of exercises similar to those athletes do with some elements of boxing, all...
2002
Edna LIMA
Capoeira
Capoeira II includes the strategy of the game expressing human conditions through capoeira partner work while experiencing advanced rhythms and beginning jogo de capoeira. There will be advanced ground...
2002
Edna LIMA
Capoeira Int
Capoeira is a uniquely African-Brazilian martial art born in the age of slavery and nurtured in a quest for freedom to become a dramatic performance art in modern society. Capoeira is closely identified...
2002
Mamadou M’BAYE
African Percussion Int
African Percussion Mamadou M’Baye teaches poly rhythms from Senegal and introduces a wide range of sounds and tones and different forms of musical improvisation. In the original meaning of his African c...
2002
Mamadou M’BAYE
Afrikanischer Kindertanz (6-10 J.)
everything human beings created, human beings can learn African children's dance Above all Mamadou intends to convey joy in moving in accordance with the music of the drums. In a playful manner the...
2002
Mamadou M’BAYE
African Percussion Adv*
African Percussion Mamadou M’Baye teaches poly rhythms from Senegal and introduces a wide range of sounds and tones and different forms of musical improvisation. In the original meaning of his African c...
2002
Claudia MADER
Feldenkrais-Methode o
There are moments in life and on stage when everything is perfect. All the details such as awareness, power, balance, timing, rhythm, emotion, thought, sensation appear in the right proportions, our action...
2002
Charleston MARQUIS
Bodyhood Pilates o
Bodyhood Pilates has been developed by Charleston Marquis in more than 20 years of practice, based on the work of Pilates, Feldenkrais and Alexander. One of the main features is his concept of ABC (Acting...
2002
Barbara MAYR
Body Control Pilates o
Our main focus will be on fluent movement series that emphasize dynamic coordination of muscular stretching, strengthening and correct breathing. After stretches and warm-up specific exercises will follow...
2002
Barbara MAYR
Body Control Pilates
Our main focus will be on fluent movement series that emphasize dynamic coordination of muscular stretching, strengthening and correct breathing. After stretches and warm-up specific exercises will follow...
2002
Ko MUROBUSHI †
Danse Butoh o
Butoh ist not a technique which can be developed systematically. It is a free personal and individual evolution. You have to break with your traditions and habits and look behind them to find something...
2002
Milton MYERS
Horton Technique
the grace of disciplined movement Horton Technique enables us to develop endurance, flexibility and the communicative possibilities of dance. Significant elements are clear lines, concentrated work...
2002
Milton MYERS
Horton Technique Adv
the grace of disciplined movement Horton Technique enables us to develop endurance, flexibility and the communicative possibilities of dance. Significant elements are clear lines, concentrated work...
2002
Milton MYERS
Repertory
Ailey Repertory versatile repertory demanding physical and spatial clearity Based on the principles of the Horton Technique we will investigate the versatile repertory of Alvin Ailey. The results of...
2002
Janet PANETTA †
Ballet for Contemporary Dancers Int
a firm technical foundation and freedom of movement Ballet for Contemporary Dancers Due to her extensive experience in classical and contemporary dance, Janet Panetta is able to convey the technique...
2002
Janet PANETTA †
Ballet for Contemporary Dancers
a firm technical foundation and freedom of movement Ballet for Contemporary Dancers Due to her extensive experience in classical and contemporary dance, Janet Panetta is able to convey the technique...
2002
Janet PANETTA †
Investigating Ballet
appriciating function as beauty Investigating Ballet Janet Panetta’s work involves the deconstruction of movement into technical basics that dancers from varied backgrounds can understand. We work f...
2002
Chrysa PARKINSON
Contemporary Technique Int
The relationship between how and what you dance The development of physical and expressive range is encouraged by a simple, function oriented, sense based warm-up drawn from innate physical patterns....
2002
Chrysa PARKINSON
Contemporary Technique
The relationship between how and what you dance The development of physical and expressive range is encouraged by a simple, function oriented, sense based warm-up drawn from innate physical patterns....
2002
Cristina PERERA
Horton/Modern Technique
how can I transmit the freedom that is? The technique is Horton based, with more fluidity implemented, so that the academic linear and angular structure becomes more rounded and organic. Applying the...
2002
Cristina PERERA
Horton/Modern Technique Int
how can I transmit the freedom that is? The technique is Horton based, with more fluidity implemented, so that the academic linear and angular structure becomes more rounded and organic. Applying the...
2002
Judith REYN
Classical Ballet Int
opening muscles and joints Versatile and experienced pedagogue Judith Reyn is highly appreciated for the personal attention she devotes to each student. She reacts to their individual qualities or...
2002
Judith REYN
Classical Ballet Adv*
opening muscles and joints Versatile and experienced pedagogue Judith Reyn is highly appreciated for the personal attention she devotes to each student. She reacts to their individual qualities or...
2002
Tony RIZZI
Release Ballet
a study in pure energy direction Release Ballet My ballet class utilizes the lines and stretch of ballet, the speed and lightness of Balanchine, and incorporates the idea of release technique to find...
2002
Tony RIZZI
Improvisation for Performers
Possibilities are endless Improvisation for Performers The training will help the dancers to free their mind and discover the many possibilities already lying within and relating to their individual...
2002
Günter SCHÖBERL
Qi-Gong o
Qi Gong o We are investigating the pure forms of traditional energy work. We will learn and practise the so called Lohan Qi-Gong and the Nai Kung. Every class features dynamic and static exercise forms...
2002
Günter SCHÖBERL
Power-Yoga o
Power-Yoga o Because of its huge popularity in the USA (Madonna, Sting, Ricky Martin, etc.) this form of Yoga is meanwhile well known in Europe. Elements of classical Hatha Yoga, the Tibetan Yantra Yoga...
2002
Marjory SMARTH
House o
the diversity of not only the rhythms, but also the ways to express, move, and dance Marjory will start with old school hiphop breaking down the dances, their names and origins. Her workshop will also...
2002
Marjory SMARTH
Hip Hop o
the diversity of not only the rhythms, but also the ways to express, move, and dance Marjory will start with old school hiphop breaking down the dances, their names and origins. Her workshop will also...
2002
Risa STEINBERG
Limón Technique
you have the capacity to dance as long as you want The technique, style, and philosophy of the Limón class include the principles of fall and rebound: the challenge of yielding to and resisting gravity, ...
2002
Risa STEINBERG
Limón Technique Int
you have the capacity to dance as long as you want The technique, style, and philosophy of the Limón class include the principles of fall and rebound: the challenge of yielding to and resisting gravity, ...
2002
Risa STEINBERG
Limón Technique Adv
you have the capacity to dance as long as you want The technique, style, and philosophy of the Limón class include the principles of fall and rebound: the challenge of yielding to and resisting gravity, ...
2002
STORM
Popping/Locking o
Away from pure acrobatics back to dance! Philosophy and origin of the dance forms Locking, Popping, and B-Boying are transmitted along with the basic techniques. Special emphasis is given to rhythm...
2002
STORM
Bboying o
Away from pure acrobatics back to dance! Philosophy and origin of the dance forms Locking, Popping, and B-Boying are transmitted along with the basic techniques. Special emphasis is given to rhythm...
2002
Anastasia STOYANNIDES
Hatha-Yoga o
Expansion … release … Time to stretch and time to play To feel the strength and then release it! Support … let go … Be breathed and breath Sense inner waves, vibrations … encourage their movement ...
2002
TAMANGO
Urban Tap
with ease, rhythm and soul "I see Urban Tap as a dream. Something that is offbeat, that lets you think of anything but the dance you're watching. Urban Tap belongs to hiphop culture. Like tap dance,...
2002
TAMANGO
Urban Tap Int
with ease, rhythm and soul "I see Urban Tap as a dream. Something that is offbeat, that lets you think of anything but the dance you're watching. Urban Tap belongs to hiphop culture. Like tap dance,...
2002
TAMANGO
Urban Tap - Composition
with ease, rhythm and soul "I see Urban Tap as a dream. Something that is offbeat, that lets you think of anything but the dance you're watching. Urban Tap belongs to hiphop culture. Like tap dance,...
2002
TAMANGO
Urban Tap - Call & Response Adv
with ease, rhythm and soul "I see Urban Tap as a dream. Something that is offbeat, that lets you think of anything but the dance you're watching. Urban Tap belongs to hiphop culture. Like tap dance,...
2002
Irène TASSEMBEDO
Danse Africaine
Dancers and musicians approaching their freedom and autonomy Integrating traditional African Dance and Western forms such as Ballet, Modern and Jazz, Irène Tassembedo has been further developing African ...
2002
Irène TASSEMBEDO
Danse Africaine Int
Dancers and musicians approaching their freedom and autonomy Integrating traditional African Dance and Western forms such as Ballet, Modern and Jazz, Irène Tassembedo has been further developing African ...
2002
Bruce TAYLOR
Modern Jazz
modern dance swinging with the energy of jazz "A unique style, mixing modern dance with the swing, emotion and energy of jazz dance, rendering the movement honest, which means the entire body is used....
2002
Bruce TAYLOR
Modern Jazz Adv
modern dance swinging with the energy of jazz "A unique style, mixing modern dance with the swing, emotion and energy of jazz dance, rendering the movement honest, which means the entire body is used....
2002
Daniel TINAZZI
Danse Jazz
all related to dynamics, musicality and interpretation Daniel Tinazzi’s style cannot be categorized as jazz, modern or contemporary – it is a daring mixture of many techniques, which all relate to ...
2002
Daniel TINAZZI
Danse Jazz Int
all related to dynamics, musicality and interpretation Daniel Tinazzi’s style cannot be categorized as jazz, modern or contemporary – it is a daring mixture of many techniques, which all relate to ...
2002
Sabine WAGNER
Spiel & Tanz für Kinder & Eltern (2-3 J.)
directly influence their every day life Play and Dance for Children and Parents (2-4 years) The experiences children and parents share in this course may influence their every day life. In a playful...
2002
Sabine WAGNER
Kreativer Kindertanz (4-6 J.)
sneak like cats, gallop like horses Creative Children Dance (4-6 years) We roll across the floor, we sneak like cats, gallop like horses or balance on a rope … In this class basic dancing skills a...
2002
Baakari WILDER
Tap Dance
the art of making rhythms with your feet The tap prodigy Baakari will teach challenging classes about the art of making rhythms with your feet. He stresses the understanding of various rhythmic patterns...
2002
Baakari WILDER
Tap Dance Int
the art of making rhythms with your feet The tap prodigy Baakari will teach challenging classes about the art of making rhythms with your feet. He stresses the understanding of various rhythmic patterns...
2002
Elsa WOLLIASTON
African Dance
”I believe that dancing takes walking into flying" The fundamental training centres around listening to the body, its physical and mental reactions, in order to find the necessary concentration. Cleaning o...
2002
Elsa WOLLIASTON
African Dance Int
”I believe that dancing takes walking into flying" The fundamental training centres around listening to the body, its physical and mental reactions, in order to find the necessary concentration. Cleaning o...
2002
Moe YAMAMOTO
Butoh Dance o
define life with our body movements Trust your body. It’s a treasure house of expressions. The memories of human history are accumulated there as pre-image, formless sensations. As performing artists, o...
2002
David ZAMBRANO
Improvisation for Performers
Improvisation for Performers Improvisation on stage involves the use of conscious choices in order to create an environment in which to dance. Students will be encouraged to find their own creative thoughts,...
2002
David ZAMBRANO
Flying Low
Fast in and out of the earth Flying Low The technique developed by David focuses mainly on the dancer‘s relationship to the ground. Simple movement patterns involve breathing, speed, and the release o...
2002
David ZAMBRANO
Flying Low Adv
Fast in and out of the earth Flying Low The technique developed by David focuses mainly on the dancer‘s relationship to the ground. Simple movement patterns involve breathing, speed, and the release o...
2002
David ZAMBRANO
Improvisation for Performers (kurs B)
Improvisation for Performers Improvisation on stage involves the use of conscious choices in order to create an environment in which to dance. Students will be encouraged to find their own creative thoughts,...
2002
David ZAMBRANO
Flying Low (B)
Fast in and out of the earth Flying Low The technique developed by David focuses mainly on the dancer‘s relationship to the ground. Simple movement patterns involve breathing, speed, and the release o...
2001
Joe ALEGADO
Modern Technique
2001
Vanessa ANDRADA
Street Jazz
2001
Vanessa ANDRADA
West Coast Craze
2001
Geraldine ARMSTRONG
Blues-Jazz
2001
Florence AUGENDRE
Movement Research & Skills Development
2001
Alex BENTH
Hip*Hop
2001
Milli BITTERLI
Body Technique - Contemporary Training
2001
Seydou BORO
Danse Africaine Créative
2001
Max-Laure BOURJOLLY
Hip*Hop
2001
Gerald CASEL
Contemporary Technique
2001
Boyzie CEKWANA
Contemporary African Dance
2001
Elizabeth CORBETT
Classical Ballet
2001
Elizabeth CORBETT
Kindertanz für 3 bis 5-Jährige
2001
Elizabeth CORBETT
Improvisation
2001
Elizabeth CORBETT
Forsythe Repertory
2001
Pascal COUILLAUD
Danse Jazz
2001
Gilson DE ASSIS
Samba-Reggae
2001
Christiane DERTNIG †
Feldenkrais Methode
2001
Dramane DIABATE
African Percussion
2001
Maria DINOLD
Körpertraining für Menschen mit und ohne Behinderungen
2001
David DORFMAN
Moving with Momentum
2001
David DORFMAN
Making Dances as Social and Personal Commentary
2001
David DORFMAN
Movements To Live By
2001
Willi DORNER
Contact Improvisation
2001
Libby FARR
Ballet for Contemporary Dancers
2001
Frey FAUST
Contemporary Technique
2001
Frey FAUST
Great Beginnings
2001
Frey FAUST
Partnering Technique
2001
Isabelle GINOT
Feldenkrais for Dancers
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Date: 18.05.2024, 01:02 | Link: https://www.impulstanz.com/en/search/en/workshops/pid4522/en/search/workshops/pnr40/