The dramaturgy of dynamic events in a movement sequence creates expressivity. It's all a question of context and of how the ingredients are arranged with each other. Space-concepts, use of time, energy and flow are aspects that simultaneously contribute to the complexity of such events. Extreme contrasts can give us a clearer feel for the specific colours we use and possibly heighten the dramaturgical effect. In this workshop we rigorously explore these elements by working with self-created material or adapting to a given phrase and discover how exciting movement can become when we maximally exploit its dynamic potential.
Kenji Takagi
