The dramaturgy of dynamic events in a movement sequence creates expressivity. It's all a question of context and of how the ingredients are arranged with each other. Space-concepts, use of time, energy and flow are aspects that simultaneously contribute to the complexity of such events. Extreme contrasts can give us a clearer feel for the specific colors we are using and possibly heighten the dramaturgical effect. In this workshop we rigorously explore these elements by working with self created material or adapting to a given phrase and discover how exciting movement can become when we maximally exploit it's dynamic potential.
Kenji Takagi