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ImPulsTanz Workshops 2017 © Emilia Milewska
ImPulsTanz Workshops 2017 © Emilia Milewska
ImPulsTanz Workshops 2017 © Emilia Milewska
© Robbie Sweeny
© Robbie Sweeny
© Kat Reynolds

Shamanic Improvisation Potential

The potential of energy, ritual and magic

An experiment to investigate the relationship between improvised dance, performance and shamanism. Fake healing, death practice and pretend rituals will be used to provoke real experiences beyond our naming and knowing. Exercises and experiences in presence, transformation, breath, altered states of being, trance, awareness, healing, ritual, and performance.

Keith says, "I have been studying ritual, both ancient and contemporary, for over 30 years. I recognise the many continuations and disruptions between religious practice and the Western concert stage. Shamanism, in a general usage, refers to the ritual/spiritual practices of working with unseen forces of energy, of transforming space and time, of shifting meaning and perspective, of communicating with the dead or not human. Performance often engages the same intentions. Each day we will, in action and conversation, question the potential of energy, ritual and magic. What is it? How do we experience it? Can it be choreographed? What can we learn about presence through improvisation? What is magic? What is the role of presence in making magic, provoking transformation, or sensing the other worlds?"
Donna Haraway encourages not only to live well together but also to die well together.

The Spiral of Fortune (7 of Birds)

A laboratory of political witchcraft

The Spiral of Fortune (7 of Birds) is a week of dance divination, queer becoming, healing from political harm, and collaborative world-making, where world-making manifests as post/de-colonial choreography, magic, healing, activism, discourse, and ritual.

Keith Hennessy and Michael J. Morris will offer a week-long intensive laboratory, a politicised mystery school, in an expansive field where the politics of the land meet the politics of the body, and potential is everywhere. Incorporating tarot, astrology, fake and real healing, death practice, dancing together and alone, negotiating difference, somatic exploration and improvised ritual, in an on-going studio practice of shared play, research, and performance. We'll move between tradition and invention, the world as it has been and all the worlds that are yet to come, the known and the unknowable — and the spaces in-between. We'll cultivate full-bodied attention to what is subtle, spectacular, felt, invisible, imaginary, visionary, ancient, emergent, more-than-human, and marginal in order to devise collaborative art/ritual experiences that address contemporary crises in our global age. At the heart of this investigation is the conviction that what we practice at the small scale supports what we are capable of practising at other scales; thus, engaging with the forces of global crises at the scale of individual bodies and communities has the capacity to generate strategies for navigating and co-creating our world.

We'll make experiences and relationships in a vibrant real time composition that resonates in non-linear frequencies with the past, the future, and the timeless. We'll situate our studio in the crisis of power and empowerment destabilised by an era of both privilege and dispossession, economic and environmental precarity.

ARTISTBIO: Keith Hennessy

Keith Hennessy dances in and around performance. Born in Sudbury Canada, he lives in San Francisco since 1982 and tours internationally. His performances engage improvisation, ritual, collaboration, and protest as tools for investigating political realities. Practices inspired by anarchism, critical whiteness, post/Modern dance, activist art, the Bay Area, wicca, punk, contact improvisation, indigeneity, and queer-feminist performance motivate and mobilise Hennessy’s work. Keith’s 2016-17 collaborators include Peaches, Meg Stuart, Scott Wells, Jassem Hindi, J Jha, Annie Danger, Gerald Casel, and the collaboratives Blank Map and Turbulence. 2017 awards include the Guggenheim Fellowship and the Sui Generis award. Keith's writings have been published in Contact Quarterly, Movement Research Journal, Performance Research (UK), Society of Dance History Scholars Journal, and Dance Theatre Journal (UK). Hennessy directs Circo Zero and was a member of Contraband with Sara Shelton Mann. Hennessy is a co-founder of CounterPULSE (formerly 848 Community Space) a thriving performance space in San Francisco. He earned an MFA and PhD from UC Davis.


© ImPulsTanz

Everything about our previous festivals you find HERE

Dancer: Helmut Fixl © Johanna Figl

Sneak previews of our current performances, or sweet memories of our workshops and past festival events can be watched here. MORE

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Date: 19.08.2019, 12:29 | Link: