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GAËTAN RUSQUET (BE/FR)
As We Were Moving Ahead Occasionally We Saw Brief Glimpses of Beauty
Bodies live and bodies on video, bodies in a live video – where are the boundaries between being inside and out? The performance envelops its audience like a media body whose pace is set by metronomic devices. The title of this immersive choreography with its excellent dancers is derived from a film record: As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty by avant-garde director Jonas Mekas lasts for five hours and is considered one of the longest experimental films of all time. Gaëtan Rusquet’s fantastic experiment is a 45 minutes long mantra on time circulating and on being enfolded in communities and technologies.