All Inclusive - Technique of Dance
Contemporary Technique
“In this class we will investigate movement and its physicality. Our focus will be developing technical skills through dancing. We will improve stability, strength, flexibility and coordination, building them up simultaneously and making them a basic body equipment ready to be applied in any kind of movement. Our working tool will be open dancing in a simply structured group situation. We will use this method as a warm-up and for technical exercises. Music will be a strong inspiration source. I would like to inspire the dancers to develop their own dance technique using their knowledge, their ability for observation and their intuition.
My teaching is coming out of my own experience and my joy of dancing which I love to pass on. How to become better dancers? Just dance!”
Keep On Dancing - Technique of Dance
For your golden age!
“Being 33 years old I believe that dancing and movement are free of age. Many years of using our body instrument have given us a lot of experience. We can translate these experiences into dancing. I would like to present my way of approaching dance. I will design the lessons especially for people with an older date of birth.
We will work on your individual dance technique. This means to develop and improve your set of your personal skills. Our working tool will be open dancing in a simply structured group situation. We will use the music as a strong inspiration source.
We will dance in order to find the joy of moving looking for ways to bring dancing into our everyday life.”
Martin KILVÁDYMartin Kilvády was born in 1974. After school he enrolled in a program for teacher education in contemporary dance at the School of Music and Dramatic Arts (Comenius University in Bratislava), where he received his MA. Choreographers and teachers who most influenced him as a dancer are: Jan Durovcik, Mira Kovarova and Libor Vaculik.
1997 he became a member of Anna Teresa de Keersmaeker's Rosas dance company in Brussels. He danced in
Would, in the reprise of
Mikrocosmos and
Achterland, and contributed to the creation of
Just before, Drumming, I said and
In Real Time. Between 2001 and 2004 he collaborated with choreographer Roberto Olivan in the creation of
natural strange days and
De Farra.
Since 2003 he has been a member of Thomas Hauert's Company Zoo performing in
Five, Modify, More less said songs, Walking Oscar and
Accords.
Martin is a member and cofounder of Les SlovaKs Dance Collective.
Martin started to teach in 1991 and since 2001 has done training programs for Rosas, Ultima Vez and Charleroi/Danses, workshops at P.A.R.T.S. and CDC Toulouse and teaching open classes at the ImPulsTanz Festival in Vienna.
Photo: Martin KILVÁDY © David Bergé