In „Dissipating I“ Milli Bitterli examines the relationship between movement and emotion. Bitterli: „Does a choreography of the emotions exist? Behind every attitude my body adopts lies an emotion that powers me like an engine. Every movement is linked to a particular feeling, an experience, which in its turn influences the execution of the movement.“

The working process of “Dissipating I” started already a year before the scheduled premiere. Within that year the performers explored in laboratories, researches, workshops and performances the connection between motion and emotion. In this work in process dynamics like cognition, the acceptance of closeness, alienation, demands and liberation came to the fore.
 
we don’t survive alone.
unleash my ghost. the child has reached the darkness now.
forgive me, leave me a destination.
for my paranoia you are irreplaceable.
I love you, you slayer.
I am uncountable.
passio: the sense not being the subject, but the object of action.
emotion, open your eyes.
I stand next to me, however she stands next to me. I stand next to her.
to lose myself, regain myself, and then lose again, sometimes also ground.
adjusting doubt exactly.
letting my movements touching me.
vanilla sky.
dogville.
plung into the unknown and drink beer afterwards.
thank you antony & the johnsons!
out of the piece and dashed back. whew!
hey and rough! uuh!
was it a dream?
when attidtude becomes form.
escape. help. unbelievingly. surprise. stunned.
I seek after understanding. do you look for love?
I‘m withering. please, give me tea.
this is not my cup of tea.
do you have any chocolate with you?
it is really incredible: each brand has its own shop.
feel yourself responsible.
shall I wait for you any longer?
I am searching – and i forget searching.
I am a loose horse now.
just do whatever you want.
fleischmann: take your time.
crabalocker fishwife pornographic priestess boy you been a naughty girl, you
let your knickers down.
(Milli Bitterli, Jack Hauser, Sabina Holzer, Dolores Hulan, Krõõt Juurak, Sabile Rasiti)
 
the long way to dance.
what is that?
I take the number 65 bus and it is always the number 65 bus.
so. what is the difference.
what is repetition?
can you follow me?
do you trust me?
what is the right feeling. how does it become so intense that it results in motion?
emotion and motion.
to slip into somebody else’sbody.
my costume is my body.
I understand something else.
I disappear.
I try to unbend the situation.
what is inside? what is outside?
I want to make my idea disappear.
this has nothing to do with me anymore.
I wait for an echo. structure and experience.
whence this eternal tension?
choreography: what is that?
what is legible.
the breakup of shapes.
looping until being wounded.
fleeting are the bearers of the gaps.
words only description, trials.
almost nothing is left over of me.
it is better not to show one‘s emotions.
I pose a question, but I don‘t get an answer immediately.

oh yeah!
emotion is our positioning in a moment of change.
childpose mathematic.
movement is like an intellectual talk with oneself.
sabile... sabina...sabile... s... splash
wow! boom! aah!
macro and micro in the macro. microstructure.
I am being seduced by strangers.
the mistake-impro was very funny and stirring.
with every movement a whole system is being shaken.
a sound, a glimpse, to visit the heat of a body.
a time, a feeling, an impression, to visit the image of the others.
at least three in one.
to reanimate.
dumping is releasing.
to sling away something.
the own confidante resolves.
dissipation.
the fruit doesn‘t know where its seeds land.
the ego‘s dissipation presumes the existence of an ego.
the ego is at least a body and all the experiences.
habeas corpus.
the ego is a world.
in dissipation the ego cannot be retained.
dance material. material written in the body.
detective of the ego. detective of the other ego. ego are many.
dancing not dancer.
throwing. dashing. breaking. swirling. vibrating. getting out of control.
ejecting. dissipating. depleting. lingering. snatching off.
rolling around. giving away. deforming. dissolving. raving. retaining and
steering.
driving getting lost letting go. play with me.
what is the essence?
release energy, which breaks free. pass on energy . get on the machine.
perform a choreography.
being swept along.
saying yes.
unsettled foundation.
daunting and cheering.
I‘m approaching myself. my beloved doesn‘t recognize me anymore. waaahhh!!!
open your eyes!
who was the slayer? (redrum)
enjoy! enjoy! enjoy!
wow! now it‘s time for the spin cycle.
three in one.
full of need. this is not real! is this real? this is real!
you are my sister.
to have no words. taking over material can be so relieving.
I can hardly await to go to the rehearsal.
you take me by the hand.
but as soon as I amplify , the common consent switches into desinterest.
it was only a game. for me it was real, but I won‘t tell you that.
counterpoint.