Ultima Vez Vocabulary
where are the limits?

During this workshop we will study different materials from several shows (“what the body does not remember”, “in spite of wishing and wanting”, “inasmuch as life is borrowed”, “Blush”, “sonic boom”, “puur” and “Spiegel”) in order to understand the most important aspects of this works, where the floor work and partnering work are the bases. As well we will speak about the ideas, concepts or sources that lie behind the movements and which are the starting point of some scenes or creations.
We will get familiarised with concepts like: risk, trust, moving with necessity, instinct, self-protection, how to protect somebody else, speed, fragility, softness, weakness, tension… which will allow us to discover how are we, how we dance, where the limits are and how we can go further. We will find answers to these questions and new questions may arrouse. Bring shoes, knee protections and enjoy!




German Jauregui
From 1995 to 1998 German Jauregui Allue followed theatre training in Bilbao. During his studies he participated in „A menudo en el bosque“ by Loïc Touze at Bilbao. At the same time he was active for two years with Jóvenes Coreografos Vascos, a grant program for young Bask choreographers. In 1998 German Jauregui began working for Ultima Vez. He collaborated on the creation and touring of „In Spite of Wishing and Wanting“ (1999), "Inasmuch as Life is borrowed..." (2000), „Blush“ (2002), „Sonic Boom“ (2003), „PUUR“ (2005), „Spiegel“ (2006), the short-films „The Last Words“ (1999), "Inasmuch..." (2000) and the dance films „In Spite of Wishing and Wanting“ (2002), „Blush“ (2005) and „Here After“ (2007). For the creation of „Scratching the Inner Fields“ (2001) he was the movement assistant. German Jauregui also danced in the revival of „What the Body Does Not Remember“ during the KLAPSTUK festival 2002. In that same year he collaborated with his brother Jorge Jauregui and Idoia Zabaleta for the performance „El Rato de José“. German regularly teaches Ultima Vez workshops.