WORKSHOPS
Workshop Overview
Add-On Workshops
Workshop Levels
Workshopinfo .pdf
as of Nov. 21, 2008
Workshops 2008
Antony Rizzi
Week2: July 21 - 25
14:05 - 16:05Forsythe Repertory Adv*



Forsythe Repertory
Forsythe and Rizzi Repertory

Tony Rizzi will be teaching a solo from "Vile Parody of Adress", a more modern solo. The participants will learn about where ideas and impetus for the movements come from as well as how they can alter this bodytext to create new material. Rizzi very much likes to use the things that are going on in the space and set up a feeling of having a rehearsal at the Ballett Frankfurt. Letting the desires and ideas come from the people in the workshop he will guide what you will do next. This may mean jumping to a completly different piece or combining two together or as in the past maybe making a new piece out of it. An open mind and an understanding of "going with the flow" is a necessity to participate. And best would be to attend all 5 classes if you commit to the workshop. It is not a rule but it is more fulfilling for everyone.




Antony Rizzi
Antony Rizzi, Italian from Dedham/Massachusetts, USA, works as a dancer, choreographer, actor, visual artist, radio dj, film maker and model - all in one. After training for 4 years at the Boston Ballet School with Bruce Wells, Virginia Williams, Viollette Verdy and Richard Dickenson he went to Frankfurt Ballet. For the past 17 years he has worked primarily with William Forsythe, as a dancer and assistant, creating many roles at the Frankfurt Ballet ("Enemy in the Figure" "Kammer/Kammer","Of any if and" etc.). As an actor he has worked with Jan Fabre, most notable as the devil in "Da un altra facio del tempo" and as Neil Armstrong/Mae West in "Glowing Icons", and has played James Joyce in Jan Lauwers "DeadDogsDontDance". He has created dance/theatre/performances a.o. for The Royal Ballet of London, Scapino Ballet ("Nothing Original"), Frankfurt Ballet "My Ant Farm" and "Geek at the end of the table")., Boston Ballet and Pennsylvania Ballet.
Photo: © Antony Rizzi