Contemporary Technique
energy & imaginary

This workshop is directed to people interested in dance as an art of expression.
The class will turn around one or two themes per day including warm up, floorwork and dance evolutions in the space. From high voltage to lazy-looking forms where energy & imaginary are the rulers of the rhythm. The participant is encouraged to appropriate the given material & to 'stage' it in the shortest delay of time.
How do we learn to learn? Bring sneakers.



Partnering
partizipating & communicating in physical dialogues

Sharing & communication are very essential aspects in our daily life. Dance tries as well to express those issues through partner work & other forms.
Physical dialogues is the purpose we are going to search in this class Different exercises will open up instinct & awareness in dealing with each other. Duo & other complex group forms will be dealt during the class in either improvised or fix patterns.
Weight, feelings for timing, leaders & followers, trust, will become our daily technique terms.



Iñaki Azpillaga
Born in Spain Iñaki Azpillaga is now a dance teacher based in Brussels teaching regular classes to the companies Ultima Vez, Need Co., Charlesroi/Danses among others. He has been leading workshops all around Europe. His dance studies are based on Basque folk dance, ballet, jazz, modern and contemporary dance. He has danced with Mathilde Monnier, Bocanada Danza, National Ballet Co. of Spain and has been part of many other productions.
For the last ten years he has been connected with the work of Wim Vandekeybus in one way or the other. Since 1994 he has danced with the company participating in the creation of the pieces “Mountains made of Barking”, “Alle grossen decken sich zu” , and “Bereft of a Blissful Union”. Simultaneously he danced in “What the body does not remember” and “Her Body doesn’t fit her soul”. He was the tour coach for “7 for a secret never to be told”. He was the choreographical assistant of Wim Vandekeybus for “Inspite of wishing & wanting”, “Inasmuch as life is borrowed”, and “Blush”.
Since 1997 he has been teaching workshops regularly that relate to the work of Ultima Vez.