".../...(b)" Duett with Bruno Chevillon

Rizzo opens up his workshop in order to demonstrate that acting means thinking. No matter how relaxed the atmosphere is, a little multi-media event that incorporates Rizzo’s diverse activities from fashion design via sculpture to rock music is concealed in this laboratory. Rizzo moves on the floor in long scenes in semi-darkness arranging an installation of candles and pork, playing music from a laptop. There is a continuous exchange with musician Bruno Chevillon who oscillates between bass and electronics.
Wearing a pig’s mask under a US flag – it is 2003, the year of the invasion in Iraq – Rizzo shows very clearly what he thinks until finally, the meat casually shouldered , he leaves behind a doppelgänger made of clothes in the spotlight.