Forsythe Repertory
lot’s of fun through the rigor of the process

“In this year's repertory workshop we will work with material from Forsythe's piece Limb's Theorem. Dance material from this evening length work spans a broad spectrum in terms of movement base, approach and relationship to music, and offers challenges and hopefully lot's of fun through the rigor of the process.”


Children Dance for the 3 to 5 years old
challenging and funny

Elizabeth Corbett, former soloist dancer with William Forsythe’s Ballett Frankfurt and a mother of a ten year old girl, employs the natural connection to music children have, their special ways of communicating and their playful nature to introduce them to the world of dance through games and improvisation that are both challenging and funny.
Creative Ballet 6-8 y.


Creative Ballet for the 6 to 8 years old
sharing the joy of dancing

In this workshop for children, Elizabeth Corbett introduces some basic ballet exercises designed to encourage awareness of directions in space and basic body alignment for ballet, along with improvisation, music from around the world, and games to nurture young dancer's spirits. Elizabeth Corbett draws her inspiration from her own introduction to dance as a child, as well as through her experience in teaching children, assisting in children's dance performances, and sharing the joy of dancing with her daughter, now aged ten.


Classical Ballet
a clear language

Elizabeth Corbett, who was a principal soloist of the Ballet Frankfurt with William Forsythe for more than a decade will give special emphasis to alignment and musicality. Her teaching style is classical in the true sense of the word, as she conveys the classical movement vocabulary with great clarity. With regard to technical abilities, discipline and continuity, she focuses on clear body and spatial directions, rhythm and flow in movement, and clear focus and presence, as well as the understanding of anatomy as a prerequisite for respecting our own bodies. She's inspired by teachers who have strongly affected her learning process and her dancing; Marjorie Mussman and Maggie Black.


Elizabeth Corbett
Having spent the majority of her dance career with the Ballet Frankfurt, Elizabeth draws on her wide experience in Forsythe's working processes to provide access to in-depth repertory studies in workshops such as here at Wiener Tanzwochen where she has been teaching for ten summers, at P.A.R.T.S. throughout the school year, a. o.